Mr.
Snoxall, the victim, is in love with Miss Sophia, the daughter. Ruin
impends over Brown; but he is master of his art: he persuades Snoxall not
to undeceive the family of Tidmarsh, and kindly undertakes to pop the
question to Sophia on behalf of his friend, whose sheepishness quite equals
his softness. Thus emboldened, Brown inquires after a "few loose
sovereigns," and Snoxall, having been already done out of his chairs,
clothes, and watch, of course lends the victimiser his purse, which
contains twenty.
Mr. Brown's career advances prosperously; he makes love in the dark to his
supposed cousin _pro_ Snoxall, in the hearing of the supposed wife (for the
real Selbourne has been married privately) and his supposed friend, both
supposing him false, mightily abuse him, all being still in the dark. At
length the real Selbourne enters, and all supposition ends, as does the
farce, poetical justice being administered upon the captain by courtesy, by
the bailiffs who arrest him. Thus he, at last, becomes really Mr. Dunne
Brown.
The farce was successful, for the actors were perfect, and the audience
good-humoured. We need hardly say who played the hero; and having named
Wrench, as the nephew, who was much as usual, everybody will know how. Mr.
David Rees is well adapted for Snoxall, being a good figure for the part,
especially in the duck-and-green-peas season.
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