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Lubbock, Percy, 1879-1965

"The Craft of Fiction"

They have emerged out
of the surface of the scene into form and relief.
And finally the subject of the whole book is rendered in the same way.
The subject is not in Milly herself, but in her effect upon the
relation existing between Densher and Kate. At the beginning of the
book these two are closely allied, and by the end their understanding
has been crossed by something that has changed it for ever. Milly has
come and gone, nothing is afterwards the same. Their scheme has been
successful, for Milly in dying has bequeathed a fortune to Densher.
But also she has bequeathed the memory of her last signal to them,
which was one that neither could foresee and which the man at any rate
could never forget. For Densher had _not_ practised that final
disloyalty which was begged of him, and Milly had died in full
knowledge of their design, and yet she had forgiven, dove-like to the
end, and her forgiveness stands between them. Kate recognizes it in
the word on which the book closes--"We shall never be again as we
were." Whether they accept the situation, whether they try to patch up
their old alliance--these questions are no affair of the story. With
Kate's word the story is finished; the first fineness of their
association is lost, nothing will restore it. Milly has made the
change by being what she was, too rare an essence for vulgar uses.
Those who wanted the intelligence to understand her must pay their
penalty; at least they are intelligent enough to see it.


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