Prev | Current Page 120 | Next

Lubbock, Percy, 1879-1965

"The Craft of Fiction"

The
result is surely that his picture of life has less authority than its
highly finished design would seem to warrant. It is evidently not a
picture in which the deeps of character are sounded, and in which the
heights of passion are touched, and in which a great breadth of the
human world is contained; it is not a picture of such dimensions. But
it has so much neat and just and even exquisite work in it that it
might seem final of its kind, completely effective in what it
attempts; and it falls short of this, I should say, and there is
something in that constant sense of Turgenev at one's elbow,
_proffering_ the little picture, that may very well damage it. The
thing ought to stand out by itself; it could easily be made to do so.
But Turgenev was unsuspecting; he had not taken to heart the full
importance of dramatizing the point of view--perhaps it was that.
The narrative, then, the chronicle, the summary, which must represent
the story-teller's ordered and arranged experience, and which must
accordingly be of the nature of a picture, is to be strengthened, is
to be raised to a power approaching that of drama, where the
intervention of the story-teller is no longer felt. The freedom which
the pictorial method gives to the novelist is unknown to the
playwright; but that freedom has to be paid for by some loss of
intensity, and the question is how to pay as little as possible.


Pages:
108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132