The dawn was coming now; the hermit observed it, and spoke up sharply,
with a touch of nervous apprehension in his voice--
"I may not indulge this ecstasy longer! The night is already gone. It
seems but a moment--only a moment; would it had endured a year! Seed of
the Church's spoiler, close thy perishing eyes, an' thou fearest to look
upon--"
The rest was lost in inarticulate mutterings. The old man sank upon his
knees, his knife in his hand, and bent himself over the moaning boy.
Hark! There was a sound of voices near the cabin--the knife dropped from
the hermit's hand; he cast a sheepskin over the boy and started up,
trembling. The sounds increased, and presently the voices became rough
and angry; then came blows, and cries for help; then a clatter of swift
footsteps, retreating. Immediately came a succession of thundering
knocks upon the cabin door, followed by--
"Hullo-o-o! Open! And despatch, in the name of all the devils!"
Oh, this was the blessedest sound that had ever made music in the King's
ears; for it was Miles Hendon's voice!
The hermit, grinding his teeth in impotent rage, moved swiftly out of the
bedchamber, closing the door behind him; and straightway the King heard a
talk, to this effect, proceeding from the 'chapel':--
"Homage and greeting, reverend sir! Where is the boy--MY boy?"
"What boy, friend?"
"What boy! Lie me no lies, sir priest, play me no deceptions!--I am not
in the humour for it.
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