For whom, then, had one laboured? For whom
had those gigantic works of new Rome been undertaken? A shudder of fear
sped by, a crack as of doom was heard, arousing pitiful disquietude in
every fraternal heart. Yes, a threat of doom and annihilation: as yet no
people, soon no aristocracy, and only a ravenous middle class, quarrying,
vulture-like, among the ruins.
On the evening of that day, when all was dark, Pierre went to spend an
hour on the river quay beyond the Boccanera mansion. He was very fond of
meditating on that deserted spot in spite of the warnings of Victorine,
who asserted that it was not safe. And, indeed, on such inky nights as
that one, no cutthroat place ever presented a more tragic aspect. Not a
soul, not a passer-by; a dense gloom, a void in front and on either hand.
At a corner of the mansion, now steeped in darkness, there was a gas lamp
which stood in a hollow since the river margin had been banked up, and
this lamp cast an uncertain glimmer upon the quay, level with the
latter's bossy soil. Thus long vague shadows stretched from the various
materials, piles of bricks and piles of stone, which were strewn around.
On the right a few lights shone upon the bridge near San Giovanni and in
the windows of the hospital of the Santo Spirito. On the left, amidst the
dim recession of the river, the distant districts were blotted out.
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