Peter's rising up afar off in
the soft limpid radiance. At the Villa Albani and the Villa Pamphili he
again came upon superb parasol pines, tall, stately, and graceful, and
powerful elm-trees with twisted limbs and dusky foliage. In the Pamphili
grounds, the elm-trees steeped the paths in a delicious half-light, the
lake with its weeping willows and tufts of reeds had a dreamy aspect,
while down below the /parterre/ displayed a fantastic floral mosaic
bright with the various hues of flowers and foliage. That which most
particularly struck Pierre, however, in this, the noblest, most spacious,
and most carefully tended garden of Rome, was the novel and unexpected
view that he suddenly obtained of St. Peter's, whilst skirting a low
wall: a view whose symbolism for ever clung to him. Rome had completely
vanished, and between the slopes of Monte Mario and another wooded height
which hid the city, there only appeared the colossal dome which seemed to
be poised on an infinity of scattered blocks, now white, now red. These
were the houses of the Borgo, the jumbled piles of the Vatican and the
Basilica which the huge dome surmounted and annihilated, showing greyly
blue in the light blue of the heavens, whilst far away stretched a
delicate, boundless vista of the Campagna, likewise of a bluish tint.
It was, however, more particularly in the less sumptuous gardens, those
of a more homely grace, that Pierre realised that even things have souls.
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