The street, bright with sunshine or steeped in shadow
according to the hour, was ever silent and deserted. The heavy, ancient
palatial houses, their old doors studded with plates and nails, their
windows barred with huge iron gratings, always seemed to be asleep, whole
storeys showing nothing but closed shutters as if to keep out the
daylight for evermore. Now and again, when a door was open, you espied
deep vaults, damp, cold courts, green with mildew, and encompassed by
colonnades like cloisters. Then, in the outbuildings of the mansions, the
low structures which had collected more particularly on the side of the
Tiber, various small silent shops had installed themselves. There was a
baker's, a tailor's, and a bookbinder's, some fruiterers' shops with a
few tomatoes and salad plants set out on boards, and some wine-shops
which claimed to sell the vintages of Frascati and Genzano, but whose
customers seemed to be dead. Midway along the street was a modern prison,
whose horrid yellow wall in no wise enlivened the scene, whilst,
overhead, a flight of telegraph wires stretched from the arcades of the
Farnese palace to the distant vista of trees beyond the river. With its
infrequent traffic the street, even in the daytime, was like some
sepulchral corridor where the past was crumbling into dust, and when
night fell its desolation quite appalled Pierre.
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