The spinster relative felt Mrs. Malaprop's mistakes in language
so seriously, and took such extraordinary pains with her blunders, that
they sounded more like exercises in elocution than anything else. The
unhappy lad who led the forlorn hope of the company, in the person
of "Sir Anthony Absolute," expressed the age and irascibility of his
character by tottering incessantly at the knees, and thumping the
stage perpetually with his stick. Slowly and clumsily, with constant
interruptions and interminable mistakes, the first act dragged on, until
Lucy appeared again to end it in soliloquy, with the confession of her
assumed simplicity and the praise of her own cunning.
Here the stage artifice of the situation presented difficulties which
Magdalen had not encountered in the first scene--and here, her total
want of experience led her into more than one palpable mistake. The
stage-manager, with an eagerness which he had not shown in the case of
any other member of the company, interfered immediately, and set her
right. At one point she was to pause, and take a turn on the stage--she
did it. At another, she was to stop, toss her head, and look pertly at
the audience--she did it.
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