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Chesterton, G. K. (Gilbert Keith), 1874-1936

"The Victorian Age in Literature"


But a similar paradox of the combination of plain tastes with twisted
phrases can also be seen in Browning. Something of the same can be seen
in many of the cavalier poets. I do not understand it: it may be that
the fertility of a cheerful mind crowds everything, so that the tree is
entangled in its own branches; or it may be that the cheerful mind cares
less whether it is understood or not; as a man is less articulate when
he is humming than when he is calling for help.
Certainly Meredith suffers from applying a complex method to men and
things he does not mean to be complex; nay, honestly admires for being
simple. The conversations between Diana and Redworth fail of their full
contrast because Meredith can afford the twopence for Diana coloured,
but cannot afford the penny for Redworth plain. Meredith's ideals were
neither sceptical nor finicky: but they can be called insufficient. He
had, perhaps, over and above his honest Pantheism two convictions
profound enough to be called prejudices. He was probably of Welsh
blood, certainly of Celtic sympathies, and he set himself more swiftly
though more subtly than Ruskin or Swinburne to undermining the enormous
complacency of John Bull.


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