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Chesterton, G. K. (Gilbert Keith), 1874-1936

"The Victorian Age in Literature"

Hardy has had the blasphemy to call Wessex Tales.
This division between the two points of view is vital; because the turn
of the nineteenth century was a very sharp one; by it we have reached
the rapids in which we find ourselves to-day.
Meredith really is a Pantheist. You can express it by saying that God is
the great All: you can express it much more intelligently by saying that
Pan is the great god. But there is some sense in it, and the sense is
this: that some people believe that this world is sufficiently good at
bottom for us to trust ourselves to it without very much knowing why. It
is the whole point in most of Meredith's tales that there is something
behind us that often saves us when we understand neither it nor
ourselves. He sometimes talked mere intellectualism about women: but
that is because the most brilliant brains can get tired. Meredith's
brain was quite tired when it wrote some of its most quoted and least
interesting epigrams: like that about passing Seraglio Point, but not
doubling Cape Turk. Those who can see Meredith's mind in that are with
those who can see Dickens' mind in Little Nell.


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