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Wylie, I. A. R. (Ida Alexa Ross), 1885-1959

"The Dark House"

They made him
self-conscious and self-distrustful. They might be ten times more
worthless than he believed them to be, and he might be ten times a
bigger man than the Robert Stonehouse who had made such a good thing of
his life. They had still the power to put him in the wrong and to make
him an oaf and an outsider. And they knew it. He felt their glances
slide over him furtively and a little mockingly. Yet outwardly he
conformed to them. He wore his clothes well enough, and his
self-control covered over his real distress with a rather repellent
arrogance. He was even handsome, as a plain man can become handsome
whose mind has dominated from the start over a fine body. And with
this air of power went his flagrant youthfulness.
But the girl standing next him dropped him a flippant question with
veiled irony and dislike in her stupid eyes, and turned away from him
before he answered. She was a vulgar, garish little creature, and he
could afford to smile satirically (and perhaps too consciously) at the
powdered shoulder which she jerked up at him. And yet he was deeply,
miserably shamed.
It was like a play in which he was the only one who did not know his
part. Even Cosgrave played up--a little too triumphantly, showing
off--as a tried man-of-the-world. And at her given moment the star
performer made a dramatic entry into the midst of them, a cloak of pale
blue brocade thrown over her scanty dress and her plumes still tossing
from the elaborately tousled head.


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