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Wylie, I. A. R. (Ida Alexa Ross), 1885-1959

"The Dark House"

But though he never thought of Cosgrave, he could not
altogether forget him. At night he found himself turning instinctively
towards the window where the delicate, rather plaintive profile had
shown faintly against the glow of the streets, and the empty frame
caused him a sense of unrest, almost of insecurity, as though a ghost
had risen to convince him that the dead are never quite dead, and then
had vanished.
He took to returning to his consulting-rooms, where he regained his
balance and his normal outlook. The sober reality of the place thrust
ghosts out-of-doors. Here was no lingering shadow of poverty to recall
them. The bright, cold instruments in their glass cases, the neatly
ordered japanned tables, the cunning array of lights were there to
remind him that he was a man who had made a record career for himself
and who was going farther. In the day-time he took them as a matter of
course, but now he regarded them rather solemnly. He went from one to
another, handling them, testing them, switching the lights of special
electrical devices on and off, like a boy with a new and serious
plaything. There was no one to laugh at him, and he did not laugh at
himself. He stood in the midst of his possessions, a little
insolently, with his head up, as though he were calling them up one by
one to bear him witness. He was self-made. He had torn his life out
of the teeth of circumstance. There was not an instrument, not a chair
or table in the lofty, dignified room that he had not paid for with
sweat and sacrifice and deprivation.


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