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Wylie, I. A. R. (Ida Alexa Ross), 1885-1959

"The Dark House"


She was the spirit of their good humour. They could not have done
without her.
And he, Robert Stonehouse, stood outside the circle, as in reality he had
always done. But now he did not want to belong. He knew now how it
hindered men to run with the herd--even to have friends. It wasted time
and strength. And these people were no good anyhow. Howard was one of
these dissipated duffers who later on would settle down as a miraculously
respectable and incapable G.P. The rest were vague, rattle-brained
eccentrics who would fizzle out, no one would know how or care.
Only Francey---- But even in the old days it was only because of
Francey that the Banditti had meant anything to him.
The head waiter pushed across the counter a jug of yellowish liquid in
which floated orange peel and a few tinned, dubious-looking cherries.
"Take it, for God's sake! People who want muck like that ought to keep
to Soho."
Robert poured out with an eye trained to accurate measurements in the
laboratory. It was his practice to do well everything that he had to do.
Otherwise you lost tone--you weakened your own fibre so that when the big
thing came along you slumped. But he could not forget Francey Wilmot's
nearness. It did not surprise him any more. But it charged him with
unrest, and he and his unrest frightened him. He knew how to master
ordinary emotion. Even when he carried off the Franklin Scholarship in
the teeth of a brilliant opposition he had not allowed himself a moment's
triumph.


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