He
foresaw that she would be easy to persuade, and that a benevolent
conversational tone would probably make her pass, fluttering, from
distrust into an oppressive extreme of confidence. But he had an
indefinable sense that the person who was testing that strong young
eyesight of hers in the dim candle-light was less readily beguiled
from her mysterious feminine preconceptions. Miss Garland, according
to Cecilia's judgment, as Rowland remembered, had not a countenance to
inspire a sculptor; but it seemed to Rowland that her countenance might
fairly inspire a man who was far from being a sculptor. She was not
pretty, as the eye of habit judges prettiness, but when you made the
observation you somehow failed to set it down against her, for you had
already passed from measuring contours to tracing meanings. In Mary
Garland's face there were many possible ones, and they gave you the more
to think about that it was not--like Roderick Hudson's, for instance--a
quick and mobile face, over which expression flickered like a candle in
a wind. They followed each other slowly, distinctly, gravely, sincerely,
and you might almost have fancied that, as they came and went, they gave
her a sort of pain.
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