"Because the partridge lying dead over there is my partridge.
Because the land you are standing on is my land. Because my own land
was only taken from me by a crime, and a worse crime than poaching.
This has been a single estate for hundreds and hundreds of years,
and if you or any meddlesome mountebank comes here and talks of
cutting it up like a cake, if I ever hear a word more of you and
your leveling lies--"
"You seem to be a rather turbulent public," observed Horne Fisher,
"but do go on. What will happen if I try to divide this estate
decently among decent people?"
The poacher had recovered a grim composure as he replied. "There
will be no partridge to rush in between."
With that he turned his back, evidently resolved to say no more, and
walked past the temple to the extreme end of the islet, where he
stood staring into the water. Fisher followed him, but, when his
repeated questions evoked no answer, turned back toward the shore.
In doing so he took a second and closer look at the artificial
temple, and noted some curious things about it. Most of these
theatrical things were as thin as theatrical scenery, and he
expected the classic shrine to be a shallow thing, a mere shell or
mask. But there was some substantial bulk of it behind, buried in
the trees, which had a gray, labyrinthian look, like serpents of
stone, and lifted a load of leafy towers to the sky.
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