His cousins and
connections ramified like a labyrinth all over the governing class
of Great Britain, and he seemed to be on good, or at least on
good-humored, terms with most of them. For Horne Fisher was
remarkable for a curious impersonal information and interest
touching all sorts of topics, so that one could sometimes fancy that
his culture, like his colorless, fair mustache and pale, drooping
features, had the neutral nature of a chameleon. Anyhow, he could
always get on with viceroys and Cabinet Ministers and all the great
men responsible for great departments, and talk to each of them on
his own subject, on the branch of study with which he was most
seriously concerned. Thus he could converse with the Minister for
War about silkworms, with the Minister of Education about detective
stories, with the Minister of Labor about Limoges enamel, and with
the Minister of Missions and Moral Progress (if that be his correct
title) about the pantomime boys of the last four decades. And as the
first was his first cousin, the second his second cousin, the third
his brother-in-law, and the fourth his uncle by marriage, this
conversational versatility certainly served in one sense to create a
happy family. But March never seemed to get a glimpse of that
domestic interior to which men of the middle classes are accustomed
in their friendships, and which is indeed the foundation of
friendship and love and everything else in any sane and stable
society.
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