The former, a Mr. James Haddow, came from a drowsy den
in the Inns of Court, full of leather and parchment, for the law was
his profession and history only his hobby; he was indeed, among
other things, the solicitor and agent of the Prior's Park estate.
But he himself was far from drowsy and seemed remarkably wide awake,
with shrewd and prominent blue eyes, and red hair brushed as neatly
as his very neat costume. The latter, whose name was Leonard Crane,
came straight from a crude and almost cockney office of builders and
house agents in the neighboring suburb, sunning itself at the end of
a new row of jerry-built houses with plans in very bright colors and
notices in very large letters. But a serious observer, at a second
glance, might have seen in his eyes something of that shining sleep
that is called vision; and his yellow hair, while not affectedly
long, was unaffectedly untidy. It was a manifest if melancholy truth
that the architect was an artist. But the artistic temperament was
far from explaining him; there was something else about him that was
not definable, but which some even felt to be dangerous. Despite his
dreaminess, he would sometimes surprise his friends with arts and
even sports apart from his ordinary life, like memories of some
previous existence.
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