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Payn, James, 1830-1898

"Bred in the Bone"

He opened the door of communication
to which the Squire had referred, and found himself in a sort of
boudoir, in which, as in his own room, a good fire was burning. By the
lover of art-furniture, this latter apartment would have been pronounced
a perfect gem. Here also every article was of ebony, and flashed back
the blaze from the red coals like dusky mirrors. Yorke lit the
candles--huge waxen ones, such as the pious soul in peril sees in his
mind's eye, and promises to his saint--and looked around him with
curiosity. Like the little Marchioness of Mr. Richard Swiveller, he had
never seen such things, "except in shops;" or rather, he had seen single
specimens of such exposed in windows of great furniture warehouses,
rather as a wonder and a show than with any hope to tempt a purchaser.
On one hand stood an ebony cabinet, elaborately carved with fruit and
flowers; it was divided into three parts, and their shut doors faced
with plate-glass gave it the appearance of a tripartite altar with its
sacred fire kindled. A casket almost as large glowed close beside it,
enriched with figures and landscapes, and with shining locks and hinges,
as he afterward discovered, of solid gold. A book-case of the same
precious wood was filled with volumes bound in scarlet--all French
novels, superbly if not very decorously illustrated.


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