When he stood still,
this would never happen in the middle of the gateway; nor when moving
about would he ever tread on the threshold. When passing the throne, his
look would change somewhat, he would turn aside and make a sort of
obeisance, and the words he spoke seemed as though he were deficient in
utterance.
On going up the steps to the audience chamber, he would gather up with
both hands the ends of his robe, and walk with his body bent somewhat
forward, holding back his breath like one in whom respiration has
ceased. On coming out, after descending one step his countenance would
relax and assume an appearance of satisfaction. Arrived at the bottom,
he would go forward with quick step, his elbows evenly bent outwards,
back to his position, constrainedly reverent in every movement.
When holding the sceptre in his hand, his body would be somewhat bent
forward, as if he were not equal to carrying it; wielding it now higher,
as in a salutation, now lower, as in the presentation of a gift; his
look would also be changed and appear awestruck; and his gait would seem
retarded, as if he were obeying some restraining hand behind.
When he presented the gifts of ceremony, he would assume a placid
expression of countenance. At the private interview he would be cordial
and affable.
The good man would use no purple or violet colors for the facings of his
dress.
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