At last it was matured, and
the working-classes were invited to come and test it--gratuitously of
course. A few accepted the invitation; but their success and delight
in the new art thus opened up to them, was so great, that the 'two or
three' pioneers soon swelled into an army of 3000 _ouvriers_! But a
band of 3000 workmen in Paris was considered dangerous: it could not
be credited that they met merely for social improvement and
relaxation; some political design must surely lurk under it:
government was alarmed, the police threatened; and it was left to
Mainzer's choice either to remain in Paris without his artisan
classes, or to seek elsewhere a field for his popular labours. He
decided at once on the latter alternative, and departed for England,
amidst the heartfelt regrets of those whom he had attached so strongly
to himself, while he inculcated peace, order, and every social virtue.
On his revisiting Paris long after, his old pupils serenaded him
unmolested; and in 1849, the Institute of France voluntarily placed
his name on their list for the membership vacant by the death of
Donizetti; yet he would not accept the proposal of a later French
government to return and establish his system: he preferred the
freedom of action which he enjoyed in Britain.
In London, a period of arduous labour commenced. Mainzer arrived
without patronage, without the _prestige_ that his name had earned
abroad, and, what was a greater drawback, without any knowledge of
English! But, nothing daunted, with his usual energy he set about the
task of acquiring the language, which he did in an incredibly short
time--commencing, like a child, by naming all familiar objects, and
going on, until, without perplexing himself with rules or their
exceptions, he had acquired facility enough to lecture in public.
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